Vladimir ivanovich rebikov biography templates

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born May 31 [OS Might 19] 1866 - Krasnoyarsk, Siberia, Ussr — died October 1, 1920 - Yalta, Crimea, Ukraine) was a entirety romantic 20th-century Russian composer and pianist.

Biography

Rebikov began studying the piano with fulfil mother. His sisters also were pianists. He graduated from the Moscow Organization faculty of philology. He studied immaculate the Moscow Conservatory with N. Klenovsky, a pupil of Peter Tchaikovsky, champion then for three years in Songwriter and Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), and Systematic. Muller (piano). Rebikov taught and faked in concerts in various parts show consideration for the Russian Empire: Moscow, Odessa, Capital, Yalta, as well as in Songster, Vienna, Prague, Leipzig, Florence and Town, where he met Claude Debussy, Accolade Nedbal, Zdenek Needly, and others. Rebikov settled in Yalta in 1909.

Legacy

Early scowl suggest the influence of Peter Composer. He wrote lyrical piano miniatures (suites, cycles, and albums), children's choruses predominant songs. One of his vocal cycles is called Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also a stage be concerned Krylov's Fables (c. 1900). His low-ranking music is the most notable atlas all his works. He continued representation Russian penchant for the whole social order scale, using it in the lump Les demons s'amusent, included into birth melomimic suite Les Rêves (Dreams, 1899).

He used new advanced harmony such makeover seventh and ninth chords, unresolved cadences, polytonality, and harmony based upon spout fourths and fifths. He also was experimenting with novel forms, for technique, in his piano pieces, Mélomimiques Bet. 10 (1898), and Rythmodéclamations in which music and mime are combined, station he introduced a type of sweet-sounding pantomime known as "melo-mimic" and "rhythm-declamation" (see melodeclamation). His orchestral and level works include more than ten operas, such as Yolka (Ёлка - Illustriousness Christmas Tree), and two ballets.

Quotations

“Rebikov was already a forgotten figure by justness time of his death at announcement 54. He was bitter and resigned, convinced wrongly that composers such importation Debussy, Scriabin, and Stravinsky had effortless their way into public prominence system stealing his ideas. Ironically Rebikov evenhanded best known by way of queen insubstantial music in salon genres. Rebikov's role as an important early incendiary of twentieth-century techniques deserves to mistrust more widely recognized.” (Uncle Dave Adventurer, Allmusic)

Operas

• V grozu (В грозу — Elation the Storm, Op. 5, after Vladimir Korolenko 1863, premiered 1894, Odessa)
• Bezdna (Бездна — Abyss after Leonid Andreev, 1907)
• Zhenshchina s kinzhalom (Женщина с кинжалом — The Woman with a Dagger aft Arthur Schnitzler, 1910)
• Dvoryanskoye Gnezdo (Дворянское Гнездо — A Nest of Nobles, Cross. 55, Op. 55 after Ivan Writer, 1916)
• Yolka (Ёлка - The Christmas Tree after Fyodor Dostoevsky, Hans Christian Writer and Gerhart Hauptmann, 1900, staged 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, entry in Creative Portraits of Composers, Moscow 1989 (in Russian).

External links