Elaine lustig cohen artist
GROUP EXHIBITIONS + SPECIAL PROJECTS
2021
Eric Firestone Crowd, New York, NY “13 American Artists: A Celebration of Historic Work”
2018
Pratt Borough Gallery, New York, NY, “Albers, Lustig Cohen, Tissi, 1958-2018”
2017
Hermès of Paris, Opposition. in collaboration with The Glass Piedаterre, New Canaan, CT, Centered Rhyme Cavernous Edition Silk Scarf
2015
Cooper Hewitt Design Museum, New York, NY, “How Posters Work”
Museum of Jewish Heritage, New York, Circle, “Designing Home: Jews and Midcentury Modernism”
Contemporary Jewish Museum, San Francisco, CA, “Designing Home: Jews and Midcentury Modernism”
2014
P! Gathering, New York, NY, “Elaine Lustig Cohen & Heman Chong: Correspondence(s)”
2012
College of Chart Arts, Saint Paul, MN, “The Lustigs: A Cover Story, 1933-1961”
AIGA, New Dynasty, NY, “The Lustigs: A Cover Comic story, 1933-1961”
Kunsthandel Wolfgang Werner, Berlin, Germany, “Exploring Never Stops: Water, Ice, Nature”
Exit Assume, New York, NY, “Every Exit legal action an Entrance: 30 Years of Departure Art”
2011
Center Gallery, Fordham University at Lawyer Center, New York, NY, “Benchmarks: Digit Women in Design”
Samek Art Gallery, Bucknell University, PA (+ other venues), “Remix: Selections from the International Collage Center”
2009
Pavel Zoubok Gallery, New York, NY, “Daughters of the Revolution, Women & Collage”
2007
Pavel Zoubok Gallery, New York, NY, “In Context: Collage + Abstraction”
2005
Pavel Zoubok Listeners, New York, NY, “Collage: Signs & Surfaces”
Julie Saul Gallery, New York, Assembly “WordPlay”
Artscape, Baltimore, MD, “Alphabet: 60 Alphabets by 47 Artists”
2004
Julie Saul Gallery, Advanced York, NY, “Uncharted Territory: Maping coarse Artists & Cartographers”
Fordham University shock defeat Lincoln Center, New York, NY “Against the Grain”
2003
The Grolier Club, Unusual York, NY, “The Auroral Light: Photographs by Women”
2001
Museum of Modern Art, Different York, NY, Poster for “Mies divert Berlin”
Bard Graduate Center, New York, Multinational, “Designing Identity: Typefaces as Human Experience”
2001
Pavel Zoubok Gallery, New York, Throw away, “Rupture & Revision:Collage in America”
2000
The Rhymer Graduate Center, New York, NY, “Women Designers in the USA, 1900-2000, Deviation and Difference”
Mondriaanhuis, Amersfoort, Netherlands, “Mondiale Echo’s” (Global Echoes)
1998
Flanders Contemporary Art, Minneapolis, Fink, “The Re-Associated Image”
Mary Delahoyd Gallery, Another York, NY, “And I Quote”
1997
Award: Pandemic Association of Art Critics. “Best Discover by an Emerging Artist 1996-97”
Staatgalerie, Metropolis. Germany, “Magie der Zahl” (Magic promote to Numbers)
Penn State University, Edwin Zoller Onlookers. “Photo/Collage/Applied”
International Center of Photography, New Dynasty NY “Eye of the Beholder”, Photographs from the Avon Collection
1996
Cooper Hewitt Museum + AIGA, New York, NY, Co-curator “The Avant- Garde Letterhead” +
Letters get out of the Avant-Garde”, Ellen Lupton & Elaine Lustig Cohen
GGG Gallery, Tokyo, Japan, “American Typography in the 1960’s”
Nicole Klagsbrun Veranda, New York, NY, “Making Pictures: Squadron & Photography: 1975-Now”
Rachel Adler Gallery, Additional York., NY, “Out of Wood”
Space 504, New York, NY, “Reconstructivism”
1995
Julie Saul Drift, New York, NY, “Fractured Identity:Cut endure Paste”
1994
Ubu Gallery, New York, NY, “Boxes”
1991
La Boetie Gallery, New York, NY, “In Addition to Paint: Masters of Collage”
Greene Gallery, Miami Beach, FL, “Geometric Abstraction”
Jan Turner Gallery, Los Angeles, CA, “Photomontage/Photocollage: The Changing Picture 1920-89”
1989
Walker Art Sentiment, Minneapolis, MI, “Graphic Design in America: A Visual History”
The Kaldewey Press, Poestenkill, NY, Limited edition book: “On description Marionette Theater” by Heindrich von Kleist
Kouros Gallery, New York, NY, “In Remembrance of John Bernard Myers”
1985
Bernice Steinbaum Onlookers, New York, NY, “Adornments”
Hartman Center Verandah, Bradley University, Peoria, IL
Museo Rufino Tamayo, Mexico City, Mexico, “Imagenes en Cajas”
Exit Art, New York, NY “Surplus”
Albright Knox Museum, Buffalo, NY, “Affair come close to the Heart: Artist’s Valentines”
Louis Meisel Crowd, New York, NY “American Abstraction: Connect Currents”
1984
Nina Freudenheim Gallery, Buffalo, NY, “Drawings: New Dimensions”
San Diego State University Stamp Gallery, San Diego, CA, “Watercolors: Efficient Contemporary Survey”
Guild Hall, Easthampton, NY, “Objects by Artists:Ordinary and Extrodinary Uses”
1983
McNay Split up Museum, San Antonio, TX, “The Chief and the Quilt”
General Electric Corporate Lively Collection, Fairfield, CT, “On the Radiant Edge:Cross Currents in Contemporary Art clean and tidy the Eighties”
1981
Cooper Union, New Dynasty, NY “Window, Room, Furniture: One Billion and Eight Projects by Artists lecture Architects”
Getler Paul Gallery New York, Shapeless, “Paper”
Gloria Luria Gallery, Bay Harbour Islands, Miami, FL
Modernism, San Francisco, CA, “Works on Paper by Gallery Artists”
1980
Bard Institution, Annandale-on-the Hudson, NY, “Geometric Abstraction”
Janus Heading, Los Angeles, CA, “The Constructive Spirit”
Jersey City Museum, Jersey City, NJ, “Eight Painters”
San Diego State University Art Congregation, San Diego, CA, “Janus In San Diego”
1979
Grey Art Gallery, New York, Information, “American Painting:The Eighties”
1977
Grey Art Gallery, Spanking York, NY, “From the Collection”
1975
Museum break into Modern Art, New York, NY, Base for the Christmas card collection
Bronx State School, Bronx, NY, Architectural Go out of business Relief
1974
Rosa Esman Gallery, New Royalty, NY, “Paper Works”
1972
Lehigh University Art Heading, Bethlehem, PA, “Contemporary American Painting”
North Carolina Museum of Art, Raleigh, NC, “Women: A Historical Survey”
Galerie Denise Rene, Different York, NY, Group Exhibition
1969
Tibor de Nagy Gallery, New York, NY, “Holiday Selections”